Projekt "Umjetnik na odmoru"
Ohrabrenje za vrijeme pandemije virusa COVID-19
03. travanj 2020.

Prisjećamo se trenutaka koji su umjetnici proveli na projektu Umjetnik na odmoru, kojeg organiziraju Institut za istraživanje avangarde i Kolekcija Marinko Sudac, s tvrtkom Valamar Riviera d.d. u čijim objektima oni borave u Poreču. [...]

Poezija i performans. Istočnoeuropska perspektiva / Muzej suvremene umjetnosti u Vroclavu
30. ožujak 2020.

Prošlog je tjedna u Muzeju suvremene umjetnosti u Vroclavu u Poljskoj trebala biti otvorena nova etapa izložbe Poezija i performans. Istočnoeuropska perspektiva. 

Zbog trenutačne situacije [...]

I muzeji su se preselili online
19. ožujak 2020.


Szerelmek és provenienciák
Janus Pannonius Múzeum
10. veljača 2020.


Ješa Denegri, Speaking in the First Person Singular: Spotlighting the Artist’s Individuality in The New Art Practice of the Seventies [ENGLISH]
04. srpanj 2018.

There is no need to emphasise the fact that the artist’s sense of his own individuality is one of the major characterisitcs of all art, regardless of the time or place; that this sense is common to all artists; and that all artists tend to give the express it as forcefully as they can. 

Ješa Denegri, François Morellet And the Artistic Events In Zagreb In the Early 1960’s: New Tendencies, Gorgona [ENGLISH]
04. srpanj 2018.

Those were the early 1960’s, a short period of economic prosperity in Yugoslavia and, even more, a time of a great spiritual enthusiasm, when the Zagreb-based Gallery of Contemporary Art staged a series of exhibitions of the international art movement, New Tendencies.

Ješa Denegri, Gorgona And After [ENGLISH]
04. srpanj 2018.

One of the most peculiar phenomena in the history of Croatian and Yugoslav art has entered the historiy books  under the name of Gorgona (‘Gorgon’), this being the name in Greek mythology for a monster, whose eyes, supposedly, had the power to turn to stone anyone who dared look into her face. 

Ješa Denegri, Gorgona [ENGLISH]
04. srpanj 2018.

It was the novel ways of comprehending the structure and the meaning of a work of art, based on mental and post-aesthetic attributes, as well as the emergence of a broader social and spiritual atmosphere, that had conditioned the newest developments and opened up the way to a better understanding of a whole range of artistic processes. In Zagreb, the phenomena to which this general comment refers include some examples of Radical Art informel that appeared between 1956 and 1962 and all the activities of the group named Gorgona (‘Gorgon’), which was active between 1959 and 1966.

Tribina mladih, Subotica
1969. - 1976.
Matko Meštrović - Piero Dorazio
"Studio G" - izložbe u organizacije grupe Gorgona
1961. - 1963.