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Igor Grubić | UMJETNIK NA ODMORU 2019. by Valamar
01. kolovoz 2019.

gor Grubić rođen je 1969. g. u Zagrebu u Hrvatskoj. Bavi se umjetničkim aktivizmom ...

 
Josef Dabernig | UMJETNIK NA ODMORU 2019. / Valamar
28. srpanj 2019.

Josef Dabernig rođen je 1956. u gradu Kötschach-Mauthen u Austriji. Diplomirao je ...

 
Rena&Vladan; | UMJETNIK NA ODMORU 2019. / Valamar
27. srpanj 2019.

Rena&Vladan; (Rena Rädle i Vladan Jeremić) su beogradski umjetnici ...

 
Selma Selman | UMJETNIK NA ODMORU 2019. / Valamar
20. srpanj 2019.

Selma Selman rođena je 1991. u Bihaću u BiH. Trenutačno završava ...

 
tekstovi
Ješa Denegri, The Issues Raised By the ‘New Art Practice’ Of the 1970’s [ENGLISH]
04. srpanj 2018.

General Characteristics of the New Attitudes to Art

Although the evolution of art undoubtedly follows a continuous pattern without sudden interruptions marked by fixed dates, a number of symptoms support the claim that a new situation arose some ten years ago, in the late 1960s,  which, it seems, can be justifiably treated as a specific period in the history of post-war art. It goes without saying that the new developments contained many direct or indirect influences and elements discernible in the period preceding it, but it also shows a sufficient number of characteristic constitutive elements that gave it a separate identity.

 
Ješa Denegri, The New Art of the ’Seventies in Yugoslavia: Properties, Events and Evaluation(s) [ENGLISH]
04. srpanj 2018.

Two quotations – actually, two paragraphs taken from the wider context of some lengthier texts – summarise the principal developments in art of the 1970s:

 ‘The ’seventies were not just a decade like any other in the twentieth century, but a crucial period in which Modernism made its last original contribution, before surrendering to the various forms of Postmodernism that came into being, from the middle of the decade onwards.’ (Tomaž Brejc).

 
Ješa Denegri, The New Tendencies: A Quarter Of A Century Later [ENGLISH]
04. srpanj 2018.

Contemplating nowadays [1990] the artistic events which most closely linked the Yugoslav art scene to comparable developments in Europe, both from a conceptual and an organisational point of view, one cannot overlook some major dates in the early 1960’s. These dates (and events) hinge on two international exhibitions, held at the Gallery of Contemporary Art in Zagreb under the titles of New Tendencies (1961) and New Tendencies 2 (1963). 

 
Ješa Denegri, The New Tendencies [ENGLISH]
04. srpanj 2018.

What the New Tendencies were

This somewhat imprecise term  jointly designates a series of international exhibitions staged by the Gallery of Contemporary Art in Zagreb, in the following chronological order and under the following, precise tiles:  New Tendencies , 1961; New Tendencies 2, 1963, New Tendency 3, 1965; Tendency 4, 1968/69; and Tendencies 5, 1973. The alterations in the titles are slight, yet noticeable enough.

 
dokumentacija
Tribina mladih, Subotica
1969. - 1976.
 
Matko Meštrović - Piero Dorazio
korespondencija
1963.
 
"Studio G" - izložbe u organizacije grupe Gorgona
1961. - 1963.