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Referencing one of the most significant phenomena within post-war European art, the New Tendencies movement (Zagreb, 1961 – 1973), and a series of five exhibitions derived from the movement, the Institute for the Research of the Avant-Garde and Marinko Sudac, the project's author, look at the context of creation within artistic groups in the period after the Second World War - groups that operated within different artistic styles, from programmed art, cybernetics, computer, algorithmic, digital art and others. The exhibition also opens a dialogue on art today, the art created within the rapidly changing technological reality and new valuation systems. [...]

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Naško Križnar filmski je redatelj i jedan od članova grupe OHO.
Naško Križnar diplomirao je etnologiju na Sveučilištu u Ljubljani. Bavi se filmskim stvaralaštvom, a autor je većine OHO filmova, kao i filmova koji dokumentiraju izložbe grupe ili njezinih članova te njihove projekte. U sklopu djelovanja unutar grupe OHO stvarao je i foto projekte, konkretnu poeziju, izradio Ediciju OHO i dr.
U kasnijim godinama stvara mnoge etnografske filmove. Radio je na Institutu za etnologiju Akademije znanosti i umjetnosti u Ljubljani.