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YEARS OF DISARRAY 1908-1928: AVANT-GARDES IN CENTRAL EUROPE
CRAACE
11. prosinac 2018.

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Završen rekordni 24. Sa(n)jam knjige u Istri
HRT magazin
10. prosinac 2018.

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Nagradu publike na pulskom Sa(n)jam knjige dobila monografija Gorgone
Tportal.hr
10. prosinac 2018.

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Gorgona za vajk
Booksa
10. prosinac 2018.

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tekstovi
Ješa Denegri, Art Around 1968: The Other Line [ENGLISH]
04. srpanj 2018.

Chrono-History

A number of events that took place between 1966 and 1969 marked crucial stages along the path towards the  dematerialisation of the art object - i.e. a the process which implied a transferral of working methods from the formal onto the cerebral plane... 

 
Ješa Denegri, The Properties of the New Art Practice of the Seventies in the Yugoslav Art Space [ENGLISH]
04. srpanj 2018.

The farther we progress into the 1980’s and the artistic period that has been characterised by the processes termed ‘Postmodernism’, ‘trans avant-garde’, ‘Hyper Mannerism’ and so on, the more difficult It has become to decide from which   standpoint we should view the art of the previous decade - the tumultuous 1970's - which represented a period of great change and even greater (though probably only  partially realised) efforts at change, as well as a period of  great aspirations, only some of them fulfilled. 

 
Ješa Denegri, Azimuth&Azimut;, The First New Tendencies Exhibition, Gorgona [ENGLISH]
04. srpanj 2018.

Two issues of the magazine, Azimuth and twelve exhibitions at the Azimut Gallery sum up the activities of Piero Manzoni and Enrico Castellani in Milan, at the end of 1959 and in the first half of 1960. 

 
Ješa Denegri, The Reason for ‘The Other Line’ [ENGLISH]
04. srpanj 2018.

The concept of ‘The Other Line’, which is conditional and ungrounded in art theory, anti­cipated and suggested the grasping of one particular set of events in contemporary Yugoslav art. These events were in  contrast to, or consciously distinct from, certain dominant streams in art; they formed a specific area, which basically aspired towards radicalisation of the notion of ‘art’ and, there­fore, towards the radicalisation of artistic be­haviour.

 
dokumentacija
Tribina mladih, Subotica
1969. - 1976.
 
Matko Meštrović - Piero Dorazio
korespondencija
1963.
 
"Studio G" - izložbe u organizacije grupe Gorgona
1961. - 1963.