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GORGONA 1959. – 1968. Nezavisne umjetničke prakse u Zagrebu. Retrospektivna izložba iz Kolekcije Marinko Sudac
otvorenje izložbe: 13. rujna u 18 sati, Muzej Kassak, Budimpešta
13. rujan 2019.

Umjetnička grupa Gorgona osnovana je prema ideji Josipa Vanište, a djelovala kao neformalna grupa slikara, kipara i likovnih kritičara u Zagrebu od 1959. godine. Članovi su bili Dimitrije Bašičević-Mangelos, Miljenko Horvat, ...

 
BOSCH+BOSCH GROUP AND THE VOJVODINA NEO-AVANTGARDE MOVEMENT
otvorenje izložbe: 12. rujna u 18 sati, Muzej Ludwig, Budimpešta
12. rujan 2019.

Povod ove retrospektivne izložbe je da je grupa osnovana prije pola stoljeća, kao drugi takav kolektiv u Jugoslaviji. Izložba je organizirana s Institutom za istraživanje avangarde i Kolekcijom Marinko Sudac, odakle je i došla većina izloženih djela, što dodatno daje ...

 
Igor Grubić | UMJETNIK NA ODMORU 2019. by Valamar
01. kolovoz 2019.

gor Grubić rođen je 1969. g. u Zagrebu u Hrvatskoj. Bavi se umjetničkim aktivizmom ...

 
Josef Dabernig | UMJETNIK NA ODMORU 2019. / Valamar
28. srpanj 2019.

Josef Dabernig rođen je 1956. u gradu Kötschach-Mauthen u Austriji. Diplomirao je ...

 
tekstovi
Ješa Denegri, The New Art of the ’Seventies in Yugoslavia: Properties, Events and Evaluation(s) [ENGLISH]
04. srpanj 2018.

Two quotations – actually, two paragraphs taken from the wider context of some lengthier texts – summarise the principal developments in art of the 1970s:

 ‘The ’seventies were not just a decade like any other in the twentieth century, but a crucial period in which Modernism made its last original contribution, before surrendering to the various forms of Postmodernism that came into being, from the middle of the decade onwards.’ (Tomaž Brejc).

 
Ješa Denegri, The New Tendencies: A Quarter Of A Century Later [ENGLISH]
04. srpanj 2018.

Contemplating nowadays [1990] the artistic events which most closely linked the Yugoslav art scene to comparable developments in Europe, both from a conceptual and an organisational point of view, one cannot overlook some major dates in the early 1960’s. These dates (and events) hinge on two international exhibitions, held at the Gallery of Contemporary Art in Zagreb under the titles of New Tendencies (1961) and New Tendencies 2 (1963). 

 
Ješa Denegri, The New Tendencies [ENGLISH]
04. srpanj 2018.

What the New Tendencies were

This somewhat imprecise term  jointly designates a series of international exhibitions staged by the Gallery of Contemporary Art in Zagreb, in the following chronological order and under the following, precise tiles:  New Tendencies , 1961; New Tendencies 2, 1963, New Tendency 3, 1965; Tendency 4, 1968/69; and Tendencies 5, 1973. The alterations in the titles are slight, yet noticeable enough.

 
Ješa Denegri, Art and the Year 1968 [ENGLISH]
04. srpanj 2018.

In his recent text, The Year 1968 and Visual Arts, the Italian critic, Renato Barilli, said that 1968 marked one of the crucial dates in the history of contemporary art. Barilli claimed that any future consideration of art would have to refer to the situation pre-1968 or post-1968.1

 
dokumentacija
Tribina mladih, Subotica
1969. - 1976.
 
Matko Meštrović - Piero Dorazio
korespondencija
1963.
 
"Studio G" - izložbe u organizacije grupe Gorgona
1961. - 1963.