author of the conception: Karel Srp
1918 was a year of a crucial change in the geography of territory sometimes described as “Central Europe”. The dissolution of the Austro-Hungarian Empire in 1918 and formation of new states had a significant impact on external as well as internal life of its inhabitants and was also reflected in the sphere of fine art: it influenced the communication of artists, affected their personal and political attitudes, played a part in the change of themes and emergence of new formal approaches.
Years of Disarray exhibition will be focused on sources and manifestations of this dramatic change in the period covering the final decade of existence of the Austro-Hungarian Empire and the first decade of the successor states. It will take into consideration the events in Berlin where many artists found exhibiting and publishing opportunities, and in Paris that continued to be the “city of light” for them and in which many artists had lived for longer periods of time or drew inspiration from its stimuli. Created by artists themselves, a busy network of contacts spread within the changing social developments in the Austro-Hungarian Empire and subsequently in Czechoslovakia, Hungary, Austria, Poland and Yugoslavia. It interconnected the individual centres of modern art, such as Vienna, Budapest, Prague, Krakow, Košice, Ljubljana, Lviv, Bucharest, Novi Sad. Collaboration took place by means of touring exhibitions, various magazines, extensive mutual correspondence, journeys of individual artists and sometimes their forced exile.